Striped Ebony Top

Before I altered my 2 ebony dresses, I made this top version (and it’s what gave me the idea to cut the dresses into tops) and I really like it. I like the swingy shape!

I made this top 5″ longer than the cropped version of the top (and this is the measurement I based the dresses on) because I felt that the cropped version was just a bit too cropped for my long body – and I’m naturally freezing all the time so I don’t like bare skin, or a top that when I put my arms in the air almost exposes my bra! I also made it in the size 4, but with size 6 sleeves, as I did on the second dress version because the sleeves were a bit tight.

This fabric is much more stretchy than the scuba I used for the dresses, so the sleeves don’t feel as restrictive, thankfully. I think if I made this pattern again I might size up a size on the whole thing and maybe go to a size 8 on the sleeves as I’ve got some drag lines coming from my armpits – so I think it’s a bit too snug around my arms/shoulders. But it’s fine as it is – totally wearable.

The fabric is from Crafty Sew and Sew and I bought it the day after the Dressmaker’s Ball when a bunch of us went to the shop. To be honest I’ve sewn it up much quicker than I thought – sometimes I take years to use fabric I’ve bought! And it was actually their suggestion to make an ebony top – I posted on Instagram asking what I could make from it and I had totally forgotten about this pattern! Excellent suggestion!

I did match the stripes on the side seams, and I kind of like how, because of the round shape of the front and back pieces, it kind of makes the strips go into points.

I hope that this will get at least some wear during the cold months (maybe with a thermal top underneath!) as it would be a shame to not be able to wear it for, like, 6 months!

Have you ever completely forgotten about a pattern and then been reminded of why you bought it and how much you like it?

My Dressmakers’ Ball Dress

I’ve made a YouTube channel! My first video is talking through some of the details of the dress I made for The Dressmakers’ Ball. I won’t always also do a blog post about things I’m going to make videos about, but in this case I took loads of photos so I wanted to share some of them here!

I made a copy of a dress worn by Ginnifer Goodwin to the Met Gala a few years ago. I’d always loved the dress and thought this was the perfect excuse to make it!

You can see the red stitching I used to attached the beautiful sequinned fabric I bought from RayStitch (after realising there was no way I was going to have time to sew all the sequins on by hand) to the silk organza I bought from Stoff and  Stil.

The black stitching you can see is the stitching lines I did to mark the edges of where to sew on the sequins – when I was going to do it by hand. If anyone has any ideas what I can do with the sequins, by the way, please let me know! I guess some embroidery or something!

The gold stitching is the new stitching for construction – in this case darts. I cut open the darts on the front bodice and pressed them open to reduce bulk.

I had the leather (or more accurately faux leather) already in my stash as I bought it a while ago from Girl Charlee to make a leather jacket.

To sew the leather into the seams, I tried a couple of methods but what I ended up going with was cutting the strips 1 1/4″ (the finished width) plus 2 x 5/8″ seam allowances, which is 2.5″. I then stitched one side of the leather to one side of the seam, 5/8″ away from the edge, along the 5/8″ seam allowance of the leather – along the chalk line below.

I then did the same on the other side – but the 2 pattern pieces are not yet sewn together, they are only attached with the strip of leather.

Then I sewed the actual seam of the 2 pattern pieces, which brought the 2 edges of the leather together, but not overlapping, reducing the potential bulk at the seam. The photo, below, is how it looked before it had been pressed. Once pressed the leather sat pretty flush with the sequins, which is what I wanted!

It was starting to come together here – it just needed the leather on the shoulders and the sleeves adding. Oh, and a zip!

I reinforced the shoulders to make sure they didn’t stretch out.

And then added the sleeves and the leather around the neckline and shoulders.

My carpet looks like I murdered a sequinned Muppet! And I’m still finding sequins now, a month later!

I added a waist stay to the dress – my first time doing this. It holds the weight of the skirt, which is pretty heavy, and takes some of the strain off the zip as it’s such a fitted dress. I learned how to do it from one of my books, Couture Sewing Techniques. I would highly recommend this book – especially if you’re making something more involved.

The ball was such good fun! They had the Leicester University big band playing the music, and they were great. They played a mixture of traditional big band stuff and some newer things. I find it the best kind of music to dance to!

I managed to take basically no photos all night – which I think is the sign that you’re having a good time! I did take this loo selfie, though! I had on ALL THE EYESHADOW – I had to watch a YouTube video for how to apply it!

And lovely Helen from Stitch My Style took this photo of me – during the 5 minutes I remembered I should take at least one proper photo of my dress at the actual ball!

Did I mention I love my dress?!

It is fully lined in this rayon challis from Minerva crafts. I hemmed the lining and sequins together at the hem and on the sleeves as the sequins were quite scratchy and the rayon was a lot more drapey and I feared tripping over the lining inside my dress, so I hemmed them together.

One of my favourite things about my outfit was one of the things I didn’t make – I wore trainers! I can’t be arsed with heels any more. I have never found them comfortable and I thought (excuse my French) ‘fuck it’ I want to be comfortable and be able to dance without having to take my shoes off, or feeling like my feel were going to fall off after 10 minutes!

It has an almost invisible side zip and some poppers on the underarm seam of the corresponding sleeve to allow me to get in and out of it.

I drafted the pattern myself, using a Burda Academy course I mentioned I had signed up for here. I think I possibly over-fitted the dress a little as it ended up with basically no ease around the waist, but I do think it’s one of the best fitting things I’ve made (which I guess it should be as it’s made from my measurements). Especially across the back – I’m very narrow across the back so I usually have lots of extra fabric and pooling because I’m too lazy to do any adjustments!

I sewed some of the sequinned fabric I had left onto this little clutch bag to make a matching purse to take to the ball. It just about fits my phone, some cash and my hotel room card!

 

As well as the matching trainers and purse, I wore my gold party socks – I almost thought it was too matchy-matchy but then I realised I don’t care!

I really hope they run the ball again next year, or in 2 years as it was such good fun. And who doesn’t love an excuse to go all out with an outfit!? Do you think you’ll go next time?

 

 

Adventures in Pattern Drafting

The last couple of weeks I’ve been a bit quiet on here because I’ve been working on my own personal blocks/slopers. I bought this Burda Academy course probably years ago and finally decided to have a go at it this year. And it doesn’t take as long as you would think to draft a sloper – the measuring takes a while, though!

This was my sexy measuring outfit – a tight top and leggings with tape marking my waist and hip line, so you can measure to and from the same points.

And this is the side view. Because of my terrible posture and some bloating, I look a bit pregnant here but I can assure you I’m not.

The course comes with some great handouts and videos talking you through everything. I ended up doing my bodice front and back twice because we’d messed up some of the measurements and once I’d watched the video once, I found the handout was enough to do the slopers again, which is cool.

Here is a peek at my skirt sloper/block.


Last night I cut out and sewed together my collection of slopers into a dress (minus the sleeve) and it looked pretty good. It needs some tweaks, but before too long I should have my blocks sorted, so I can use them to compare to commercial patterns to know what adjustments to make, and to draft things for myself. The first thing I’m going to draft is the pattern for my Dressmakers’ Ball dress, which I’m basing on this one Ginnifer Goodwin wore to the Met Gala a few years ago.

Posts on here might be a bit few and far between for the next few weeks while I’m working on my dress. I’ll hopefully share some updates here and on Instagram, though. I just hope I get it finished – the ball is only 6 weeks away!

Review of 2017

As this year approaches its end I (like many other sewists and bloggers) thought it would be fun to look back and see what I achieved sewing-wise.

The main part of my planning for this year had been my #2017MakeNine but I only managed to make 4 of the 9 patterns I had planned to make.

To slightly defend myself (against who?!) I did make 3 of the 4 patterns twice. (For all the makes below, click on the photo to be taken to the full blog post).

I made 2 Marianne Dresses and I love them both – both are from quite light weight jersey so they’re not the best for the cold weather we’ve been having in the UK recently.

I also make 2 Moneta dresses, though I don’t really wear the first one because I stretched out the neckline while making it.

I also make 2 Inari Tees, and I have a dress version cut out ready for next Summer – I didn’t get around to making it last Summer as it didn’t seem to last long enough!

The other make I managed from my Make Nine was my Roberts Collection dungaree dress. I did want to make the dungaree version as well but I didn’t get around to it.

I bought denim to make both pairs of jeans back in April but I didn’t quite get around to making them. I also have 2 fabrics to make the Carolyn Pyjamas from so I think I’ll bump them onto next year’s list too.

I also had joined the #SewMyStyle project and although I knew at the outset that I wasn’t going to make all 12 garments throughout the year, I only managed one – the Toaster Sweater, which I think was the pattern from January (though I’m pretty sure I made it late).

Although I didn’t make loads of the things I had planned at the beginning of the year, I did make quite a few things in the last 12 months.

I made a few presents and non-clothes, including 2 pyjama cases (a monkey and a penguin), a sack for work, a tailor’s ham and sausage (stuffed with fabric scraps), and a moomin embroidery (which helped me realise I actually quite enjoy embroidery).

I managed to refashion 3 garments: a simple tee refashion, my Christmas Party Dress and – the one I’m probably most proud of – I refashioned one of my dad’s suits into a suit for me.

In terms of sewing from scratch, this year I made:

  • 8 dresses
  • 1 pair of trousers and one pair of culottes
  • 2 skirts
  • 8 tops
  • 1 pair of shoes

The shoes were definitely a highlight! And after listening to Jasika’s episode of the Love to Sew Podcast, I feel inspired to make more shoes!

I am also proud of having made trousers for the first time! Shame I didn’t parley this into making more pairs of trousers as they are the thing that is really lacking in my wardrobe now.

These trousers are probably my most worn make of the year, but also getting honorable mentions are my stripey jersey dress which I’ve worn loads considering it was a late-in-the-year make.

I’ve also worn my grey-blue melilot shirt loads this year, so I definitely have more planned.

I feel like I can’t do a round up of the year without mentioning my Dressmakers’ Ball dress – ooh, I’ve just realised I made an extra pair of trousers than I listed above because my dress had trousers underneath! It was definitely one of my favourite makes from the year and it was fun to do some – very basic – drafting to alter the Emery dress to make the copy of the Emma Watson outfit I liked so much.

There were some other things that I mentioned I wanted to do in 2017, like make a quilt, re-upholster a chair and make a wall hanging. I did none of these things. I did, however, complete the Wardrobe Architect project and I do think this helped me to focus my sewing and fabric buying.

Obviously on a personal level, 2017 wasn’t the best – and 2016 sucked too – so here’s hoping 2018 isn’t quite so crap and I have no family sadnesses.

Did you meet your goals in 2017? Are you rolling some of them into 2018 if not? I will – I think some of my #2018MakeNine will be the ones I didn’t make in 2017!

My Dressmakers’ Ball Dress (AKA Red Carpet Copycat)

After I shared a sneaky peak of what I was making for the Dressmakers’ Ball, I am now here to show you the finished outfit (which you may have already seen if you follow me on Instagram!)

But first I want to share a little bit about the ball itself……it was amazing! It was run by the lovely ladies at Crafty Sew & So, a fabric shop in Leicester. It was so nice to see everyone go all out when given the excuse – and I’m sure some of us don’t need much of an excuse! I kept thinking how awesome it was that sewing allows us to express ourselves exactly as we want to. I can’t imagine how painful it is shopping for a prom dress, or even a wedding dress, and not finding exactly what you want. My prom dress was made by my mum and now I know if I’m going to a wedding or something, whatever I can imagine that I want to wear I can make (within the boundaries of my skills of course!).

These are all the ‘advanced’ dressmakers (which meant you had been sewing for 3 or more years). The photo is by TKL Photography, and I thought it was great that they had a professional photographer taking pictures because whenever I’m having a good time I don’t think to take any (which I guess it how it should be!)

I went with my friend Sarah who I met at the Sew Brizzle meet ups and Jen, also from Bristol, was there too (though she didn’t take part in the competition so isn’t in the photo above).

I was really impressed with the beginner dressmakers too – they had all been sewing for less than 3 years, and some of them had made their dress for the ball and it was the first or second thing they every made! They were a lot, lot, lot better than the first and second things I made, I can tell you! I tried to take some photos, but they’re all terrible and mostly of people’s backs, so do go check out the photo album on CraftySew&So’s facebook page.

Special shout out goes to Kendell, who I sat next to at dinner, and who won the beginner dressmaker category. She has only been sewing since September! (Photo by TKL Photography). Amazing!

Helen from Stitch My Style (who I’ve had a bit of a girl crush on for a while now because I love her vlogs!) won the advanced dressmaker category for her latest recreation project – after the amazingness that was her Marilyn Monroe Dress – the opera dress from Pretty Woman. It truly was a wonder to behold, and she had completely shelf-drafted it. She is a very talented lady! Also I got to chat to her a little bit on the night, and the next morning when some people met for breakfast and she’s as lovely and funny in real life as you’d expect from her videos.

Here she is (left) with the equally lovely Elisalex from By Hand London, who was one of the judges, and Nina from Nina Lee patterns, who I met a couple of years ago at a meet-up and I was surprised she remembered me – for some reason I always assume people will forget me as soon as I leave the room!

Well, this might be enough chat about how great the ball was and maybe I should show you some photos of my dress?

Here it is from the front – looks kind of boring I think, though it is a good colour – the fabric is the leftovers from my By Hand London Alix Dress. The bodice is the Christine Haynes Emery, which is my go to basic bodice as I did quite a bit of fitting back when I first made it, and I’m too lazy to do it all again with a different pattern! The front skirt, though it a sort of made up thing. I used the skirt I drafted for my Navy Lace dress but I extended it to the ground and made the top of the skirt the same length as the bottom of the bodice (plus seam allowances, of course).

There is also a split up the front of the skirt. I did this using a random tutorial I found online, where you make a sort of facing, sewing either side of the line you want for the split, cut the line between the 2 rows of stitching, then turn it to the inside and voila! You have a split, with the raw edges all enclosed. I then handstitched the facing part to the inside using herringbone stitch – there was a lot of handsewing on this dress as the fabric marks quite easily, so where I might have machined a hem on a less ball-worthy dress, I did it all by hand on this one.

You also might be able to see there are trousers underneath my dress. I thought about buying the Sew Over It Ultimate Trousers pattern, but then I remembered I have Gertie Sews Vintage Casual which has a Cigarette Trousers pattern, so I used that.

I did have to do quite a bit of adjusting to the trousers, but I failed to write any notes so I’m stuffed if I want to make them again! I moved the back zip to one of the side seams, shortened the legs on the pattern by an inch below the knee and then took them in quite a lot on the legs. Like an inch or more on each leg, inside and out.  They didn’t look perfect but they looked okay. And they fitted okay across the bum from the beginning, so that was a bonus!

Anyway, the interesting thing about my outfit is the back!

As you may have already recognised, this is a copy of an outfit worn by Emma Watson at the Golden Globes a couple of years ago. I tried to recreate her pose, but it didn’t really work. I added a second strap to hide my bra strap. Also I have no idea how her dress is staying up – I added some really strong interfacing to mine, but it still wasn’t quite enough. Luckily Helen from Stitch My Style had some spare (ehem) tit tape so Sarah stuck the top corners to my back, which was great because otherwise I would have spent the whole night adjusting it!

I love how the wind caught the dress in the above photo! The fabric was pleasingly swishy to dance in, but because it’s only half a dress and because of the split, it wasn’t as swirly as Elisalex’s dress, which was definitely one of the best for twirling in!

I’m pretty proud of my pleating on the back, so here’s a close-up. This fabric creases like a bitch, but it does mean once pleats have been ironed in, they stay!

This is me trying to copy Emma Watson’s pose – semi successful I think. If I had a stylist and someone to teach me how to pose, it might have been closer! Oh well!

Emma Watson Christian Dior, Golden Globes

To sum up, I really love this dress/outfit! I really enjoyed working out how to recreate something I’ve only seen in photos. And it was great to have an opportunity/excuse to make one of the things I’ve been dreaming about making for aaages! I also, surprisingly, enjoyed all of the handsewing. I think next year – assuming they’re running the ball again – I want to make something with a more tricky fabric to work with. Maybe velvet, which I’ve not sewn with yet. And I’d like to give boning a try. I’ve already got an idea in mind of another red carpet copy cat dress, but I’m not going to share it yet because no doubt I will change my mind by next May! I might try to recreate some others of my favourite red carpet looks too, like the less formal ones – I don’t know how many gowns I’ll need in my wardrobe!

I’ll leave you with another photo of our photography assistant who showed up again as The Boyfriend was taking these photos! You may recognise him from the photos I took of my denim moss skirt. I can’t remember if I mentioned this before, but he lost an eye a few months ago, but it doesn’t seem to have slowed him down.

He seemed pretty determined to photobomb me!

But I couldn’t resist his lovely face. He really is a friendly cat and comes into our flat if we leave our back door open 🙂

Save

Save

Save

 

 

Save